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                  <text>Embodiment</text>
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              <text>http://bencuevas.com/jockstrap</text>
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                <text>Ben Cuevas</text>
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                <text>Jockstrap</text>
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                <text>In this instillation, interdisciplinary artist Ben Cuevas knits a jockstrap while sitting nude in a men's locker room.  Embracing frameworks of embodiment and softness, Cuevas' performance critiques the gender binary by engaging in a feminized form of labor in a masculine-coded space. </text>
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                <text>First performed at the Queer Biennial exhibition, at the Hotel Gaythering, in conjunction with Art Basel Miami</text>
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                <text>2014</text>
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                <text>Performance art instillation; overall dimensions vary</text>
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        <name>softness</name>
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        <name>the body</name>
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        <src>https://mail.ikearns.digitalscholarship.brown.edu/files/original/228b04782f4acccedd86dad9ba9c37d2.jpg</src>
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                  <text>Embodiment</text>
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            <description>A name given to the resource</description>
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                <text>Fruit Harvest</text>
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                <text>Frank Macintosh</text>
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                <text>c. 1940</text>
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            <description>The topic of the resource</description>
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                <text>Pineapple</text>
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                <text>This image, first produced by Frank MacIntosh for a 1940s Hawaiian Cruise Line menu, appears in Gary Okihiro's book &lt;em&gt;Pineapple Culture&lt;/em&gt;. This image emblematizes US settler colonialism and represents the orientalization of Indigenous femininity.</text>
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                <text>1940s Matson Cruise Line menu</text>
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                <text>Print; dimensions unknown</text>
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        <name>anti-Indigenous racism</name>
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